As an artist and a mediator, I am very aware of how social conflict becomes chronically internalized within individuals and is blindly perpetuated between peoples in all types of social and political relationships. For the past 25+ years I have designed a variety of Public Forums as creative models to develop critical thinking, self-knowledge and social engagement. Each forum has been developed to be adaptive to its context and inter active with its audiences, revealing layers of inter-dependent cultural variables and challenging critical engagement.

ArtWise: Bridging 15 Years of Kulture Klub Collaborative
Soo Visual Arts Center, Minneapolis, Minnesota 2008
Kulture Klub Collaborative, founded in 1992 by Dorit Cypis, develops partnerships between arts organizations, social service organizations and funding agencies to support independent artists to work with home-less youth, bridging survival and inspiration. ArtWise has been designed as an interactive public forum and exhibition to creatively celebrate and assess KKC through integrating documentary materials with interpretive artwork revealing the 15-year history of collaboration and vision behind Kulture Klub Collaborative, 1992 – 2008.
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www.kultureklub.org

Foreign Exchanges: A Mirror Reflection of You
Mediators Beyond Borders and Levantine Cultural Center, Los Angeles, March 19, 2008. Organized by Dorit Cypis in collaboration with mediator Ken Cloke and Joumana Silyan-Saba, Policy Advisor to the City of Los Angeles Human Relations Commission.
A Public Dialogue designed for 100 local participants to uncover personal and social contexts beneath the entrenched conflict between Palestinians and Jews. Excerpts from the compelling film “To Die in Jerusalem”, by Hilla Medalia, 2008, is screened to stimulate discussion on what successful reconciliation could look like.
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Arts in the One World
Theater School, California Institute of the Arts and Interdisciplinary Genocide Study Center, Kigali, Rwanda 2008
I presented my work on the relationship between internal conflict and social justice at this colloquium on art and social justice. Arts in the One World asks “how are artists repositioning art to engage with culture and how is this exploration entering educational curricula?”

Art and Culture for Mediators
Southern California Mediation Association, Spring 2007
Beyond Conviction,
a film on Restorative Justice by Rachel Libert, follows 3 victims of violent crimes as each meets face-to-face with their perpetrators now living within the Pennsylvania Penal System. This film offers rare glimpses into these bold and difficult paths to redemption and conflict transformation.

John Winslade, PhD, co-author of Narrative Mediation, Roberta Morris, PhD, novelist and mediator and Najeeba Syeed-Miller, Executive Director, Western Justice Center, present perspectives on Narrative Mediation a strategy which encourages deep exploration and understanding of the shared personal and cultural stories we tell ourselves and each other that often perpetuate conflict.

Victoria Pynchon, mediator/attorney and writer, screens Buz Luhrman's film version of Shakespeare’s Romeo and Juliet, with Leonardo Dicaprio and Clare Danes in scenes of entrenched cultural conflict. The audience is guided to reflect on the nature of this conflict and improvise/role play alternate narratives towards transformative resolutions.

Intimate Discussions (ID)
A collection of rotating dinners throughout spring 2007, Los Angeles
Six individuals from six Los Angeles communities host six informal dinner gatherings to engage participants in discussions on social issues. Participants are invited to contribute food and conversation.
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The Aesthetics of Foreignness
National Association of Artist Organizations, Los Angeles, CA., April 29, 2007
Foreignness is a highly charged contemporary axiom. What is foreign is always what we feel alienated from both with ourselves and between us. What is the relationship between interior alienation and social conflict?

In Other Words: Looking Ourselves in the Mouth
Los Angeles Contemporary Exhibitions and the University of California, Irvine, Department of Studio Arts, developed by Dorit Cypis, Simon Leung, Catherine Lord May 10, 2004
An invitational conversation with and between artist Yvonne Rainer and 30+ professionals from the visual arts, dance, film, writing, art history and art criticism to discuss how the legendary work of Yvonne Rainer, dancer, choreographer and filmmaker, has informed our ideas on identity, social relations and the politics of engagement.

Conflict Studies: the New Generation of Ideas
University of Massachusetts, Boston, Massachusetts, October 2004
My interest in Mediation is to go beyond resolution of conflict, to create a context where relations not only can be repaired but also transformed. This desire for transformation has both a psychological and a political dimension, two sides of the same coin.

"By this phrase 'political dimension' I mean an analysis that relates to what we are willing to accept in our world, to accept, to refuse, and to change, both in ourselves and in our circumstances ... a critical philosophy that seeks the conditions and the indefinite possibilities of transforming the subject, of transforming ourselves."
    - Michel Foucault, Subjectivity and Truth, 1980

The Visceral Viewer and the Court
College Art Departments and California Superior Courthouses, 2000-2002
Bridging aesthetics and the law to develop engagement between artists and justice system professionals to review how the Justice system represents itself to the public. Pairing students of California Institute for the Arts/San Fernando Superior Court; San Francisco Art Institute/San Francisco Superior Court; University of California, Irvine/Newport Harbor Superior Court.
Please refer to Artist/Public Practice/The Visceral Viewer