Galerie UQAM, Université de Québec à Montréal

(Originally developed in 1997 for Nourit Masson-Sekine's Qu'y a-t-il d'humain dans l'homme?, presented at the CineBal  d'Aubette, Strasbourg, France)

Original soundtrack, Carl Stone
Multi-image programming, Bruce Clark
Computer animation, Pam Belding, Marie D'Aubreo

Multi image dissolve program, 32 minutes/repeat
AVL Dove X relay, 3 track-stereo cassette deck, audio tape
Three slide projectors with tower 5’5”, 220 35mm slides, silk cloth 

Framing Memories I Never Had  is a 5’5” (artist’s height) encyclopedic perpetual projection machine, spinning stories out of space and time which cannot be held by narrative yet must be told. Histories become memories and myths of infinite representation, where the experiencing body as "place," takes and loses shape endlessly. We are asked to see and remember, to see through and with memory and to ask, "who is seeing; who is remembering; whose memories?" Our corporeal body is the shifting medium through which we can experience, remember and represent.